12/10/2023 0 Comments Time out london reviewsMorton-Smith has not radically revised Hayao Miyazaki’s original screenplay, director Phelim McDermott and designer Tom Pye have not significantly tinkered with the look Hisaishi’s sprightly songs are still there, performed by the talented Ai Ninomiya. They have to be fucking spectacular because that’s the offer of this show. Nonetheless, the puppets – designed by Basil Twist, assembled by Jim Henson's Creature Workshop – are fucking spectacular. The RSC absolutely understood the brief here, although you’ll have to take my word for it, as for this first ever stage adaption – by Tom Morton-Smith, overseen by legendary Ghibli composer Joe Hisaishi – the company hasn’t allowed a single publicity photo of a single puppet (bar some chickens) to be released. So if you’re going to adapt it for the stage you’re going to have to absolutely nail the puppets you use to portray Totoro and co. Its most iconic scene involves young heroines Meil and Satsuki waiting at a bus stop, and Totoro shuffling up behind them, chuckling at their umbrella (a new concept to him) and then hopping on his unearthly public transport. It follows two young sisters who move to the countryside with their dad and basically get up to a lot of extremely normal things… while also fleetingly encountering a succession of astounding otherworldly creatures, most notably Totoro, a gigantic furry woodland spirit, and the Cat Bus, a cat that is also a bus (or a bus that is also a cat, whatever). Studio Ghibli’s 1988 cartoon masterpiece ‘My Neighbour Totoro’ is a stunningly beautiful, devastatingly charming film, in which not a huge amount happens per se. Tickets go on general sale April 21, with casting. ‘My Neighbour Totoro’ returns to the Barbican in November 2023 for a new four-month run.
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